Recordings Page Updated
I recorded some pieces with Doug Olenik, tubist and teaching assistant at the U of I, back in January. He's posted the recordings on his website, and I placed links to them on my Recordings page.
I recorded some pieces with Doug Olenik, tubist and teaching assistant at the U of I, back in January. He's posted the recordings on his website, and I placed links to them on my Recordings page.
I proofed through my transcription of Bard and I think I got the typos out. I'll probably move it over to a Transcriptions page, once I get some more posted, but for now there's a PDF on my Arrangements page (or you can view it here). It's a locked file - if you're interested in getting the PDF, just contact me.
If you know this piece and have any suggestions for me, or spot any errors, please let me know. It looks a lot worse than it really is; I had a hard time figuring out if I should use a lot of sharps or a lot of flats, definitely avoiding mixing the two (in the same measure, at least) and after playing through it recently and looking at it a little more, more sharps than flats seemed the way to go.
You can hear Mehldau's recording of the piece via iLike.com.
I recently finished or am finishing some arrangements that have been simmering for a while. I'm hoping to get them published through Doug Olenik & Olenik Music Publishing, and I'll post that information when it becomes available.
-O Isis und Osiris for tuba & piano. Transposed. A good beginning tuba solo of the priest's aria from The Magic Flute.
-O Isis und Osiris for euphonium or F tuba & piano. Original key. A good beginning euphonium solo, and it works well on F tuba, too.
-La fille aux cheveux de lin for euphonium & piano. From Debussy's Preludes, Livre I (The Girl with the Flaxen Hair). A more advanced euphonium solo.
My CV is posted on my homepage. I'm still filling in some gaps, and welcome any editing comments.
You can get a direct link here (pdf file).
I'm slowly going to be adding some of my past (and present) research projects on my web page. At this point, I only have two interviews I conducted while working on an independent study of J.S. Bach's Goldberg Variations. To read the interviews with Uri Caine & Roselyn Turek, please visit my research page (they're pdf files).